about

2AeM is a cooperative design effort composed of the 3 young Midwestern-sprung, spread-the world-out, out-and-out Architecture student-architects: nicholas m. reiter, Jessie Wilcox and Peter Nguyen. The team base was originally Milwaukee, WI but since has become a mobile abstraction or a state of mind. 2AeM is sometimes physical, sometimes sober, partially virtual, usually vocal, and all-the-time IN-it.

We are track jumpers, demons, villains and observing you right now. Design is the New and so are the Stakes.

Monday, June 22, 2009

on "a gathering place"

On the outlying first tier suburbs: Post war.

There is a problem / challenge when approaching the idea of community in a place where traditionally (in a new way) both psychologically and physically no connections amongst people exist. People here speak of connection, but they seek to be an island. But this place is one where the ever argued affect of place on psyche can give testament. The isolation of these separated flats gives no opportunity to engage in public life. One starts to say: Perhaps they don't want public life, perhaps the problem is sociological, not of the built environment. But this is not true. Life long suburbanites of this type know little other possibility. When asked what would be the thing they wish to "fix?" what is their "dream" ? The prospect of more space is voiced-- that is, inside space-- a bigger home. When instead, given suggestions life a wide covered porch to read the morning paper, bushes in back instead of a 7 foot fence, some marker at the front step by the sidewalk to claim the yard, the surprised and excited responses make one realize the possibilities are suppressed by a limited scope and fed (or unfed) by the cycle the environment presents: move into a dark, no-place house disconnected from neighbors, loose touch with neighbors, attempt to talk to neighbors, be deemed "weird" by occupying uncomfortable non-community places, seek community by going to mall or elsewhere but cannot engage there in a legally "private" place, retire to house or fenced backyard, never meeting those moving in next door.
Of course this isn't always the case, but even friendly neighbors must make specific meetings. There is little place to "bump into" each other and pass a few minutes or hour comfortably. These boxes of houses have potential though-- by being the minimal small sanctuaries they are, they can become a core of a much larger system.

diagrams to follow...


A gathering place that simply is-- a moving through place, coupled with places of pride and protection.


Sunday, June 21, 2009

house of cards_radiohead

okay... so i have to post it.
i was reviewing some albums and artists on pitchfork earlier and it reminded me of this video.
so the band has divorced themselves from the previous record label - columbia records after an amazing viral album/mp3 campaign. the label still holds all the rights from the six previous albums and have decided to reissue them all with b sides added. columbia is sucking everything they can get riding their mainstream success. the best of flopped, but these b sides may prove intriguing....

the video house of cards was made using 3d plotting technologies: : Geometric Informatics and Velodyne LIDAR.

"Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes."
[ google code ]

not only is this an amazing song: haunting, but terrific visuals too: a dream. it brings to mind vaporization and the party scene.



heres a link to the making of video... it gives more information on the above mentioned technologies.
our lives are digital... everything is data. it's essentially a direct reflection of where we are in today's society....

london yields

In recent years the notion of urban agriculture has been gaining increased currency. Triggered by concerns about food prices, food miles and the environment it is also a response to the desire to live healthier, more sustainable lives. Despite good intentions, large-scale examples are hard to find however recent initiatives such as London Food promise much.




Can we reduce our reliance on imported food?
Where is the investment going to come from?
How can we change consumer spending habits and promote fresh food?
Do we need to be at the brink of catastrophe before urban agriculture is widely implemented?

two conferences are being held rather close together to begin addressing the questions above and dreaming new responses to these implications. one was held on may 27 and has a great review on bldgblog under london yields harvested and i recently stumbled upon another conference to be held on july 1 first called london's conference on urban farming that seeks to build conversation on the same topics...

here's an excerpt from london yields: urban agriculture;

In 2007 Lord Cameron of Dillington, first head of the Countryside Agency, famously remarked Britain was ‘nine meals away from anarchy.’ Our food supply is almost totally dependent on oil (95% of the food we eat is oil-dependent) and if the oil supply to Britain were suddenly cut off Lord Cameron estimated it would take just three full days before law and order broke down. We rely on a particularly vulnerable system. Britain needs to seriously invest in agriculture infrastructure if we are to avoid food crisis.

Cities are the most likely to feel the effects of any food shortages. In 2000 consultants Best Foot Forward estimated that Londoners consumed 6.9 million tonnes of food per year, of which 81% came from outside the UK. With a weakening pound importing food has become increasingly expensive. The transformation of cities from consumers of food to generators of agricultural products not only increases food security but contributes to sustainability, improved health and poverty alleviation.

This exhibition demonstrates various methods by which food production can be incorporated into the urban environment at both an industrial and domestic level. We hope to help stimulate the debate and raise public awareness of our increasingly fragile relationship with the food on which we rely on and the method of bringing it to our table.

Monday, June 15, 2009

So it begins.



























We finally took flight, and I'm hoping when we land this week we hit the ground running.

Here are some "grass" pics i took
A mystery shot has been placed to keep your attention and curiosity about the stories that lay behind.

hopefully jess, or nick will chime in with the details after the break. :D



Thursday, June 11, 2009

standard architecture_ co-op canyon





stumbling upon this competition project by standard architecture for a visionary competition caught my eye for two reasons:
its design ethos; food as a tool supporting community,
and its diagrams; the clarity and style are good examples of style and content, both informative and artistic.












there sections were provocative as well... a series of terracing platforms that overlap and float among thin vertical structures. these sensibilities are something we're attempting to work into our upcoming competition.











check out the interview posted at archdaily_ standard partners - jefferey allbrook and silvia kuhle - speak on their philosophy, innovation, the role of technology in architecture, networking, and running their practice.

AD Interviews: Standard from ArchDaily on Vimeo.



receiving an honorable mention from the Re:Vision Dallas competition. its design is inspired by the cliff dwellings of the anasazi. food gardens bring the community of 1,000 residents together and provides an alternative form of income when good harvests abound.


"Standard’s radical approach focused on how the residents could potentially gain equity through participation in construction, agricultural, maintenance, education and conservation programs central to the sustenance of the community." [archdaily]





The practice was founded in 1996 by Jeffrey Allsbrook (M Arch USC, studies at the at the Städelschule in Frankurt, Germany and at the Berlage Institute in Amsterdam) and Silvia Kuhle (Architect Technische Universität Darmstadt, Germany, M Arch Columbia University).
"standard is developing an outstanding body of contemporary work that pursues an aesthetic of minimal clarity with designs that transform their settings" says the LA based architecture firm. they've completed a number of projects for a variety of clients in many places nationally and internationally. check out more of their work at standard architecture

here were a few that caught my eye after a quick cruise.

wildflower centre: i enjoyed their wildflower centre project. it reminded me of a thesis given last year at our school.
tree house: their tree house has a seductive ribbon of wood blending into a mass of concrete.
m1: m1 looks like a sleek rehab of an old warehouse space.

Tuesday, June 9, 2009

high line



when elizabeth diller gave a series of lectures this past semester at uwmilwaukee on the high lines project i was intrigue. since then, i've been waiting for the day the new high line would open.
the day came last monday [june 8th] phase I opened and i stumbled upon a couple of reviews from the times and archdaily.





both articles praised the project, calling it mesmerizing, radical infrastructure. Each commented on the project's most successful aspects, the new pathway's elevation reveals new and different [but above all, pleasing] perspectives of downtown manhattan.



after beating out 720 teams from 36 countries this fantastic project is being realized. the 1.5 mile long abandoned network of post industrial infrastructure has undergone a massive conversion into what the architect's refer to as a strategy of "agri-tecture" and explain the concept as a surface, "digitized into discrete units of paving and planting which are assembled along the 1.5 miles into a variety of gradients from 100% paving to 100% soft, richly vegetated biotopes,” explained Diller Scofidio + Renfro.




the times article speaks about the new perspectives the conversion offers while maintaining optimism for future uses and success of design.




"the height of the High Line that makes it so magical, and that has such a profound effect on how you view the city. Lifted just three stories above the ground, you are suddenly able to perceive, with remarkable clarity, aspects of the city’s character you would never glean from an office window." [ times ]



the article on archdaily is very in depth. it covers everything from competition to completion. it's host to an incredible amount of images and links.

click the links to see some more.... and better written.
ps. be sure to visit the high line website.
all photos © Iwan Baan