kite power

implementing would put us on track to power our world!
Saul Griffin's outlines his plan that could easily curb our coal addiction.
...and provide a little inspiration in the process.

linear house: patkau architects

i've been waiting to hear something more about this patkau project. i first was exposed to the linear house during good ol' boy - kenneth frampton's 80th birthday party at GSAPP. the north american anthology. that was a great day! terrific firms presenting a broad range of work from all over the upper american continent.

so the linear house. ran across it again on archdaily (big surprise there right?). it's this very clean form - a line - nestled in the threshold between old growth douglas firs and a canadian prairie. the house almost disappears into the landscape. i wish the diagram they showed during their lecture would've made it to the web. it captures the essence of the project in such a clear and straightforward manner.

the shadowy palette of the exterior of the fibre-cement panels are contrasted with the luminous acrylic panels on the interior and sky lights. nice touch... and it's pretty bad ass that the whole house can open up via folding panels create a dialog with the surrounding environment; an open air pavilion of sorts.

one thing i admire about these architects is their ability to capture and highlight the essence of site. and, amplify the contextual highlights (orchard, prairie, views between the trees) through clean, simple, well-detailed designs. their sensitivity regarding materiality is always refreshing. in this case, the design reminds me of todd williams and billie tsien's work. the lexicon wood glass, wood and stone is a combination i will always love.

© James Dow

"dualities in repose"

We're off an running for a crazy summer of competitions/collaborations. Here's the first in a 'quadfecta' of work that will [hopefully] get pushed out this summer - with some stellar results. First on the docket, I have joined Corey Gaffer of Gaffer Photography [and amateur landscape design] in a collaborative effort to create an imaginative design for SLANT.eu, an international competition on Landscape Architecture. This is our submission to the competition:

"Sitting on the bend of a river, a plot of land

lies vacant. Overgrown and derelict, the possibility for

regeneration is palpable as an engine for change and

growth. As the river cuts, a park will connect. Industry

and culture coalesce, through creativity, innovation and

active participation sprouting a green economy and

joining communities with healthy local food and access

to art while improving the ecological health of the river.

The park softens hard edges created by urban residences to the west, large cultural complexes to the east and the river embracing the site perimeter. The resultant softening creates a multitude of new relationships and accessibility with the waterfront. Physical access to the river, access to education and information regarding river ecology and access to jobs through community gardening reengage residents with water as a resource in a full range of social and recreational activities.

Strategic planting restores and refreshes the soil on site and filters runoff before entering the river maintaining and improving the health of the river as an amenity. Embedded within the comprehensive bioremediation strategy, implied program hugs the water’s edge. Soft delineations are marked through unique relationships to the riverfront; community garden, beachhead, and art island. The passive characteristic of the river reemerges in an active dialogue with the park user.

Conceptually, the park draws from the diverse strengths and unique potentials in the surrounding context to activate new public space: a confluence of culture, economic innovation and individual repose. Strategic design emphasizes the relationships between greater natural, social, civic, and economic ecologies: where dualities exist they are reinterpreted as strengths and harnessed to emphasize the unique characteristics of the site’s surrounding context.

The north end of the park extends the museum’s impact through the introduction of an outdoor sculpture park. Set among waving grass a prairie is peppered with sculptures to be discovered, viewed, engaged, and reflected upon. To further heightening views, an island creates a new platform for viewing one’s surroundings from a vantage point encircled by a wetland marsh. The sculptures occupy an ecotone from prairie to marshland: an extended threshold. Here birds, frogs, lizards and snakes call home.

The south end contrasts the individual intellectual experience with a community based garden and market. The transition is dappled with trees opening to terraced modules creating a tapestry of gardens and ponds aiding the cultivation of local food sources. Physically engaging with earth reconnects residents to natural processes and cycles of growth strengthening community and improving health for residents across the river. Through this haptic engagement, the community gardens create a new micro-economy for residents by growing and selling healthy, local foods.

Linking both ends,a primary path wends through the site amplifying the gesture of the linear park. A thick forest hugs the path offering a visual and acoustic buffer from the urban fabric. The path creates new connections and opportunities to experience the neighborhood along and down to the waterfront as one navigates the dualities of culture and industry. The result is a park where dualities converge in an area of tranquility to experience, appreciate, reconsider, enjoy and grow.