The built portion of this project consist of roughly 6oo surfaces glued together (4 straight days of building)....the process was a difficult one due to the scale of the pieces. Its a little odd to say that the 1 to 1 scale mock up might have been easier to build then this 3/4 model was...but time will tell after break. Hopefully I'll be able to build this during break! Wish me luck!!
about
We are track jumpers, demons, villains and observing you right now. Design is the New and so are the Stakes.
Tuesday, December 13, 2011
A-Periodics?!?! NO....just A tile.
The built portion of this project consist of roughly 6oo surfaces glued together (4 straight days of building)....the process was a difficult one due to the scale of the pieces. Its a little odd to say that the 1 to 1 scale mock up might have been easier to build then this 3/4 model was...but time will tell after break. Hopefully I'll be able to build this during break! Wish me luck!!
Sunday, December 11, 2011
ice cube celebrates the eames
Saturday, December 10, 2011
the [dark] cloud
here's why:
winy maas came to lecture in wood auditorium and two days later a studio mate sent us this link to "the cloud" MVRDV's new project. basically, it's our housing project [but, of course we like out gesture more...]. so, in an attempt to maintain our design genius we - jokingly - said winy must have seen our project and stolen our idea.
i hope that's not the case, but it helped us feel better about our work. then, look what pops up on msn's homepage [not mine] and being hotly debated.
seriously?! get over it people. support the arts, and optimism!
Thursday, December 8, 2011
[update]: housing studio
whoa. get ready folks. we're coming for ya the 14th!
[update]: housing studio
Wednesday, December 7, 2011
Thursday, December 1, 2011
Friday, November 25, 2011
UCLA Project 3 so far.
A project based on bending plywood....right... I threw material study out the window for the start of the project. Instead I took a stab at A-periodic tiling and this is where i'm at.
The system lends itself to make pockets of space.
these pockets have different variables to create new atmospheres within one system. [not shown... :(] But what is shown here is refinement on how these tiles come together. No more Crazy Angles connections!!!
so far...is this what they want? I have no idea :P.
Monday, November 21, 2011
#occupywallstreet
monday's rally should be epic!
a few more details to polish up and they should be ready to print.
"brutality" (2011)
Sunday, November 20, 2011
#occupywallstreet
paul krugman: nytimes
matt taibbi: rolling stone
reinhold martin: design observer
jd sachs: nytimes
data visualized: by the gaurdian
charts, charts, charts
...and this ariticle highlighting the bat signal of the 99% that showed up at the 11.17 rally. first across the federalist buildings in the financial district [the cops caught wind and coralled everyone marching from folley park across the brooklyn bridge]. it was a much needed inspirational lift at the time... and then to see it occupying the verizon tower facade. remarkable!
Saturday, November 19, 2011
ofuro
custom japanese ofuro [bath]
bath made of wood. so nice. i soak a while in that.
apparently, baths don't come in endless varieties like shoes. too bulky to store in warehouses and keep on show room floors means only the strongest [sellling] survive leading a lack of diversity.
this deep cedar bath is an elegantly crafted solution for an applicance that takes up plenty of household real estate.
some other examples of ofuros can be seen through custommade:ofuro.
Tuesday, November 15, 2011
#occupywallstreet
Monday, November 14, 2011
earth
view here.... the embed didn't work for some reason. but seriously, do yourself a favor. take a break and make on more click!
a camera attached to the outisde of the international space station captures some riduculously amazing imagery of cityscapes illuminating darkness, storm systems dancing across the arc of the horizon, and the most spectacular dance of the aurora borealis i have ever seen!
serious props to ron garan, michael konig and crew!
Friday, November 11, 2011
Sunday, November 6, 2011
jim kazanjian
Saturday, November 5, 2011
Occupy Wall Street Architecture
Frederic Levrat – Nov 4 2011
Controlled space
Space is currently defined by a controlling mechanism ofproperty right. Investment companies acquire land through leverage andspeculation, then rent it for a profit to the real user of the space, whiledisenfranchising the community as well as the individual from the most basicright to occupy space.
The main maps we have of the city – such as the Sandbornregister – are black on white definition of property right,only stipulating theowner and its property for insurance purpose on profit on the increased value of property. There is absolutelyno indication of existence of trees, of community activity, of the density ofhappiness, noise level, social interaction or any human quality. It is a purerepresentation of the controlling power of a few individual over what used tobe public space. Everything is about money and control, about property and the precise/legaldefinition of it.
Questioning these types of boundaries is essential but notentirely a new struggle. The history of the nomads, violently repressed by thesettlers in the North American genocide, the North African Touareg, theaboriginal tribes of Australia is a long history of confrontation between thehoarder of the land for a profit against the actual user of the land. Morerecently, some alternative thinking produced some interesting re-mapping of theurban context, with the French Situationists trying to remap Paris based onsubjective perception of space rather than objective state-issued maps.
We need to rethinkspace in general, and public space in particular.
It is not surprising that the drum circle is the mostcontroversial element of the OWS camp. It challenges the notion of enforceableboundaries. Unlike the physical presence of the occupiers, the sound travelsfree in between the buildings and through the air. The physical bodies areconfronted to metal fences and police forces closing space down at every turn.The police are enforcing every possible law – and many interpretation of it –to claim territory and mostly to deny the freedom of assembly andmovement. But there are other ways tooccupy the space, to break boundaries, to circumvent the solid edges the powerfuland its legal sub-system has been erecting. An ephemeral occupation of thespace needs to be engineered, with temporary banners, video projection and soundprojection. We need to rethink our environment, as a flexible and adaptable one, where boundaries are allowingpeople to meet rather than to separate or protect the dominant from the dominated.
Thursday, October 27, 2011
blow up the school; pi san animation
animator Pi San's cartoons are a "mordant swipe at the educational system." One of his first animations of the wordcloud-headed character, Kuang Kuang apparently was viewed 3 million times on its first day posted. government officials reacted by slapping the artist with a fine for "inappropriate content."
here's the Pi San's first animation called: blow up the school.
there are many more available via youtube
* interesting editorial note:
the video is posted by an online chinese magazine called danwei; which is also a type worker house_ this term is connoted with the period of chinese history under heavy socialist influence.
Wednesday, October 26, 2011
#occupywallstreet
Thursday, October 13, 2011
math = cool
proof that math is cool!
15 uncoupled simple pendulums of monotonically increasing lengths dance together to produce visual traveling waves, standing waves, beating, and (seemingly) random motion.
for more details see science demonstrations
the period of one complete cycle of the dance is 60 seconds. the length of the longest pendulum has been adjusted so that it executes 51 oscillations in this 60 second period. the length of each successive shorter pendulum is carefully adjusted so that it executes one additional oscillation in this period. Thus, the 15th pendulum (shortest) undergoes 65 oscillations.
this apparatus was built from a design published by richard berg [am j phys 59(2), 186-187 (1991)] at the university of maryland. the particular apparatus shown here was built by our own nils sorensen.
Tuesday, October 11, 2011
caffeine
Friday, September 23, 2011
Monday, August 15, 2011
ICA: A premeditated response
This is an excerpt from an email I wrote in reply to a request to give thoughts on the Institute of Contemporary Art in Boston as well as respond to an article, also furbished here:
"Die Another Day"
I should make a disclaimer that I only had seen images and working drawings before I wrote this response and that it would be pleasant to be proven wrong about the material expressions I foresee when I actually go. But the building really becomes secondary in my response, regardless. Enjoy:
"...As far as the ICA, I have yet to see it in person, but now from the
article you sent and the pictures and reviews I've read, I am pretty
intrigued. I'll hold off my opinion on the experiential and material
quality until I go there, but the article did peak my interest about
something else. When the critic asked of other critics "Do they
imagine that promoting innovation—even just the look of innovation—is
such a pure good that the defense of all other values must be
suspended along with our disbelief?" I think he is exaggerating a
pretty interesting point. I know that you have often said that
computational/visual design leaves you cold, and I think that the kind
of expressions the critic is offering might be similar; but there is
something else in his rant and questions that makes me want to reply
and raise him on his ante. Innovation at this kind of civic level
(and DSR call it "civic") needs to be at a much larger scale than this
building offers. I couldn't care less about how it looks at the sea
or how spectacular the cantilever seems to be (although it does seem
an engineering feat, albeit one that has many predecessors) or how
bamboozled we all are by pretty pictures or how that fits into the
socio-capitalistic monster of visual consumption, but I do have a beef
with people who talk about innovation and architecture (perhaps like
many Starchitects do) but fail to push the bounds of the low ceiling
(thank you Kafka) of codes, social norms, and program through their
material expression. My favorite and most-influential set of
exercises in Microcosm were those that asked us to question the
program, to, perhaps, think completely in the opposite way one might
usually regard, in this case, how one experiences a museum. From what
I've seem so far about this project, it is not the boxy quality or
'innovation/worldsheet" fix or bourgeois-facing windows that leave me
cold, it is the idea that it completely doesn't DO anything in the
city. What an interesting site, what an interesting project, and it
doesn't innovate at the scale of the civic at all. Stair-cantilever
is nice... but why not make the stair disappear down into the water
and make people baptize themselves if they want to enter? Why not
make the museum span the docks in succession and create courtyards out
of ancient pools of docks? Why? I suppose the low-ceiling of codes
again cannot allow those ideas to stand up fully, but they could
certainly bend over humbly and make a go of it, pushing boundaries and
innovating at the civic scale truly. Instead they just kind of sit
back, as he said, and take their laurels from the critics, who, I
think, he's right, are blinded by stardust that is actually dust, but
also numbed by never being shaken up. They too sit under the low
ceiling and never think what would happen if we cut a hole in the
roof, if not to be able to stand straight, then to look up and see
true stars, instead of just dust. (oh, and this critic might be
blinded too, he sounds like a new-urbanist... I mean, I think entering
a building by its industrio-like back near a pastry shop sounds
delightful)..."
Friday, August 5, 2011
gms: grande palladium
malik architecture out of india has just finished this fantastic project.
not sure about how it fits contextually, but it's still a terrific piece of energetic urbanism.
bold, expressive volumes fly out in axis, floating over the clay composition of the vernacular city.
expansive glass planes open onto the busy streets below.
too much metal for me though.... or maybe, because it's toned like a swordfish or something.
the architects lift the building +8m (26.25 ft) above the ground plane to allow for free public spaces to address theoretical inconsistencies found in commercial buildings (locally), environmental cycles(monsoon season), public space (lacking), etc. etc.
ok, i get it. nice gesture. liberating the ground plane... giving it back to the community... deconstructing planar volumes and refilling with light and air. floating above is a cloud of tessellated steel embraced by bent aluminum sheets. seems ominous, but actually works well.
** i realize my inconsistent opinion of this project. i wrote as i read, having read first the images. i guess we can chalk this up to a bit of gonzo journalism.
Friday, July 1, 2011
...with a little help from my friends
summer? what summer? it seems i'm not getting one this year. at least in the traditional academic sense of a summer ["break"]. long work days gave way to late work nights. lots of research, illustrator, photoshop, and tweaking rhino models [thanks to peter's processing power!]
following up on competition 1 of 4, here it comes...
straight from the pdf print shop.
#2.
another ideas competition meant our imaginations took the reins and ideas of celebration, unity, festival and broadcasting took over... holy rollers with joo-joo eyeballs. an information pavilion, yes, but also a advertisement to the city at large. kite power. water collection. bringing people together under one roof.
through muddy waters we mojo filtered... this is,
come together, right now [c]over me.
The Olympic Games unify the world in the spirit of healthy competition; inspired by this founding principle, "Come Together..." abstracts the symbolism of the interlocking rings, forming five bands which twist and merge into a unified composition. As a formal gesture the pavilion serves as a funnel, inviting spectators from the city into the charged interior; the reception desk, souvenir shop, and administrative facilities are housed under a twisting canopy, while the cafe spills out to engage the steps of the National Gallery- a place familiar to sitting and collecting.
The exterior of each band is populated with the flags of participating countries, forming a skin which reinforces the idea of cooperation and international competition. The interior is clad with printed and electronic display panels which aggregate on the underside of the cantilevered canopy, creating a large screen for live event display, replay, news, and interviews. The pavilion effectively communicates Olympic activities at the local scale and acts as a kinetic signifier at the urban scale, broadcasting the winner of each event to the city at large through the deployment of embroidered kites whose elevation is indicative of that countries respective ranking.
"Come Together..." employs sustainable design techniques in all aspects of the proposal; the structure is made of reclaimed aluminum, while the flags and kites are woven with a nylon/polyester blend made from recycled PET plastic bottles. Rainwater is channeled from the canopy down the walls and deposited into a water tank underneath the walking platform. Our renewable resource strategy capitalizes on the opportunities presented by this unique locale- the UK, situated in the high speed jet stream, is the eighth largest producer of wind power worldwide; in response, the pavilion is conceived as an energy-generating kite farm which holistically integrates concept and function while broadcasting to the city, celebrating the accomplishments of an international athletic competition.
Sunday, June 19, 2011
kite power
implementing would put us on track to power our world!
Saul Griffin's outlines his plan that could easily curb our coal addiction.
...and provide a little inspiration in the process.
Tuesday, June 14, 2011
linear house: patkau architects
i've been waiting to hear something more about this patkau project. i first was exposed to the linear house during good ol' boy - kenneth frampton's 80th birthday party at GSAPP. the north american anthology. that was a great day! terrific firms presenting a broad range of work from all over the upper american continent.
Thursday, June 9, 2011
"dualities in repose"
The park softens hard edges created by urban residences to the west, large cultural complexes to the east and the river embracing the site perimeter. The resultant softening creates a multitude of new relationships and accessibility with the waterfront. Physical access to the river, access to education and information regarding river ecology and access to jobs through community gardening reengage residents with water as a resource in a full range of social and recreational activities.
Strategic planting restores and refreshes the soil on site and filters runoff before entering the river maintaining and improving the health of the river as an amenity. Embedded within the comprehensive bioremediation strategy, implied program hugs the water’s edge. Soft delineations are marked through unique relationships to the riverfront; community garden, beachhead, and art island. The passive characteristic of the river reemerges in an active dialogue with the park user.
Conceptually, the park draws from the diverse strengths and unique potentials in the surrounding context to activate new public space: a confluence of culture, economic innovation and individual repose. Strategic design emphasizes the relationships between greater natural, social, civic, and economic ecologies: where dualities exist they are reinterpreted as strengths and harnessed to emphasize the unique characteristics of the site’s surrounding context.
The north end of the park extends the museum’s impact through the introduction of an outdoor sculpture park. Set among waving grass a prairie is peppered with sculptures to be discovered, viewed, engaged, and reflected upon. To further heightening views, an island creates a new platform for viewing one’s surroundings from a vantage point encircled by a wetland marsh. The sculptures occupy an ecotone from prairie to marshland: an extended threshold. Here birds, frogs, lizards and snakes call home.
The south end contrasts the individual intellectual experience with a community based garden and market. The transition is dappled with trees opening to terraced modules creating a tapestry of gardens and ponds aiding the cultivation of local food sources. Physically engaging with earth reconnects residents to natural processes and cycles of growth strengthening community and improving health for residents across the river. Through this haptic engagement, the community gardens create a new micro-economy for residents by growing and selling healthy, local foods.
Friday, May 13, 2011
Frac Centre.
here is a time lapse I threw together; make sure to check out the website as well for updates on the build/whats going on. THEVERMANY.COM
thank you all for the support and encouragement. Hopefully after I finish my masters Nick, Jessie, and I will make something amazing out of our experiences.
#thoughts:
I quickly realize that being "responsible" was more complicated then simply telling people what to do. I have to adapt to different situations/fields, work out difficult problems, teach, manage, maintain public relations, relaying messages and keep a straight face in moments of panic. I can't say i've done a great job, but I can say i'm happy with how its going, and Frac/Students have been so helpful to me. I'm glad I get to share this experience with them.
Monday, May 9, 2011
Tvmny, Wins competition:
http://theverymany.com/work-in-progress/11-la-redondo-beach/
After looking at that link, I guess you can say at this very moment I leveled up my digital skills. I learned how to model differently in Rhino, Python, and alittle bit of zaha theory (which I can't say i'm proud of...)
Thursday, May 5, 2011
Mobile thought.
Saturday, April 2, 2011
The Art of Unemployment 3: Georges Bataille and a Night of Excess
This piece in the series is a party invitation. In keeping with the series material process themes, this work made me learn a new crocheting stitch and required the leisure time to create several hand-made objects in a smaller time frame. The party was themed on the thought-work of George Bataille: that of excess, of destruction and the joys of debt and not being sober or entirely 'civil'. The piece itself was a meditation on his philosophy. Why have an invitation that was readable at will? To get the party information, one had to destroy the structure of the invitation and pull it apart in order to get at the most important part: the tumor, or excess, of the sphere.
The information itself called for black-tie and insinuated bringing costly and overly extravagant food and drink. Get down with Bataille. And drink, dress, smoke, feed and sex yourself into oblivion.
Art of Unemployment 2: interactive portrait
This multi-media piece is the second in my art of unemployment series. Just like the first, it showcases over-worked detail/structure and material process that comes from environments one may only frequent when at leisure. The flowers were pressed weeks before the idea came about.
This piece is a birthday "card" for a dear friend. Our faces on the caterpillars' bodies are laminated and Velcro-ed to be changed with the users mood and at the users leisure. The faces come in angry, stoic, happy, kissy and pensive. mix and match is encouraged.