about

2AeM is a cooperative design effort composed of the 3 young Midwestern-sprung, spread-the world-out, out-and-out Architecture student-architects: nicholas m. reiter, Jessie Wilcox and Peter Nguyen. The team base was originally Milwaukee, WI but since has become a mobile abstraction or a state of mind. 2AeM is sometimes physical, sometimes sober, partially virtual, usually vocal, and all-the-time IN-it.

We are track jumpers, demons, villains and observing you right now. Design is the New and so are the Stakes.
Showing posts with label construction. Show all posts
Showing posts with label construction. Show all posts

Tuesday, June 14, 2011

linear house: patkau architects




i've been waiting to hear something more about this patkau project. i first was exposed to the linear house during good ol' boy - kenneth frampton's 80th birthday party at GSAPP. the north american anthology. that was a great day! terrific firms presenting a broad range of work from all over the upper american continent.



so the linear house. ran across it again on archdaily (big surprise there right?). it's this very clean form - a line - nestled in the threshold between old growth douglas firs and a canadian prairie. the house almost disappears into the landscape. i wish the diagram they showed during their lecture would've made it to the web. it captures the essence of the project in such a clear and straightforward manner.




the shadowy palette of the exterior of the fibre-cement panels are contrasted with the luminous acrylic panels on the interior and sky lights. nice touch... and it's pretty bad ass that the whole house can open up via folding panels create a dialog with the surrounding environment; an open air pavilion of sorts.

one thing i admire about these architects is their ability to capture and highlight the essence of site. and, amplify the contextual highlights (orchard, prairie, views between the trees) through clean, simple, well-detailed designs. their sensitivity regarding materiality is always refreshing. in this case, the design reminds me of todd williams and billie tsien's work. the lexicon wood glass, wood and stone is a combination i will always love.


© James Dow

Thursday, March 11, 2010

monterrey housing development

ELEMENTAL wins brit insurance design award.
they've created an investment, not a social expense.

busy alejandro.... this is an ingenious project.

q: what happens when you only have the capital to build half a house?
a: provide the half that is the hardest, or impossible, for an individual to do themselves.
in this case, the architect provided the structural framework [ which in residential housing accounts for 80% of the project budget ] and allowed the families to infill as they accumulated the means to expand.


according to ELEMENTAL there were essentially five design parameters:
i. location
ii. urban layout
iii. position of unit on lot
iv. structure for final size
v. middle income dna

Tuesday, March 2, 2010

home remedies

we moved to riverwest about a year ago. loving the neighborhood. the corner bars. the co-op. the parks. the activism. the artists. the general level of humility and outrage existing in some symbiotic tension.

we moved into a refurbished 'unit' above an emergency sign distributor. the place used to be an old irish tavern. the labels are still on the breaker boxes. a funky mix of wood panelling and cream city brick - painted creamier - keep us warm and out of the wind.














... that be said our rooms were small... so, we put our minds and hands to work. check out the conversion.

[before; up]
[after; down]

no more stuff on the floor.

Sunday, February 14, 2010

product_sculpture

this post is long over due, but only recently caught a chance to snap some photos.
for those interested; dimensions are roughly 6' x 8'. it weighs more than you'd care to know, but i've got it up on casters.

i've repurposed some found shipping pallets from a nearby residence doing some remodeling. ripped them down. and integrated a set of 36 plaster tiles i cast from clay, coated in 2 part rubber, and filled with plaster. more on the process.

the piece is rough, raw, and simple connections all honor the same inherent qualities of the palettes. i was interested in using repetition as a visual quality and complement the warm, raw nature of the wood with the white, smooth qualities exhibited by the plaster.

for now. enjoy the photos.

side.01
[plaster]
[full view]

[lighting effects]

[context]



[tile details]

side.02
[wood]
[full view]

[lighting effects]

[latent beauty]

[shadow detail]

comments appreciated...

Wednesday, December 9, 2009

work + process

i've been back in school working towards completing a sculpture minor as a supplement to the architectural design degree we three have [or are working towards]. i'd like to share some photos of the work in progress.













'tiles' made from a plaster cast
[clay tile + two part rubber + plaster]













modification for connection













structure + surface













variation_complexity through repetition


the work complete and illuminated to follow shortly.

Wednesday, September 23, 2009

midway furniture project



as i alluded to in a previous post. russell mahoney is a recent graduate of the frank lloyd wright school of architecture. it's has been a long standing tradition for the apprentices to design and build structures to live in down in the desert. taking that mentality into midway's failing silo structure, he has designed a series of platform based on the principles of tinker toys. over-designed components allow platforms to be interchanged and elaborated as the need arises.





russell has been sympathetic to the historical fabric/enclosure that is the silo. light filters in through the clerestory windows near the top of the structure and filters down through layers of platforms creating a soft, pleasant and comfortable atmosphere for studying, reading and sleeping.



to elaborate on the education post by jessie [see below]. i feel like this is an excellent exercise for students to really engage in designing and building; something lacking, at least, in the education at uwm.

[ Photos copyright 2009 Russell Mahoney + Eric Oxendorf ]

Tuesday, September 22, 2009

On Education

Nick's post on his first visit to Taliesin has given me a reminder about the thoughts I've been developing on Architectural education and my misgivings. While it was Nick's first visit, I've been a staple guest over the past few years. I've attended lectures, know the students and fellows as friends and have participated in the community there many times more than I can discern from memory. One thing that strikes me as positive in their cirriculum is the immense intamacy they have with their environment. In any architectural school, there is a tendency to over-stay your welcome in regards to your health, social life and sleep schedule, and a connection with the people and place you all share is close and taken for granted. But the very roof under which the students at FLLW School is a lesson-- and I mean that not as it was constructed by FLLW, but because they acutally have to help rebuild it. The buildings on the estate are part of the laboratory of the school. It is not necessarily my place to go into the details of politics and problems this may bring up amongst the broader community of people and the preservation-minded and musuem-minded who want things fixed quickly and definitvely, but it is my opinion that the experimentation and lessons the students learn by working on their own place of life has been something missing from an education like my own, for instance.

On a broader level, the idea of learning should very rarley be associated with a museum-like quality. One cannot simply look at ideas under a glass case, nor should one be asked to understand things 'later' or without tactile input. Most career-oriented programs in higher education require some sort of internship, apprenticeship or mentorship program. Architectural school tend to pretend they have this covered with studio work, IDP, and the insistance of learning from work. But non of these have any weight in the physical realm. Architecture needs to actively insist on buidling. Turning out idea-makers does not mean we can not turn out craftsmen. Some have this ability, but it needs to be common. Structure classes cannot be simply statics and codes and politics and the age-old "look it up in your construction companion text." It needs to be classes in wood, in steel, in concrete, in alternative and non-traditional materials. And objects, shelters and stand-up construction should happen. I feel robbed of this, and I only now see that I will have to take it into my own hands to learn the tools of these crafts. No wonder the post-modern world is full of office buildings of post and beam and manufacturer-standed components. Money is the easy answer, but I contest it is the quality of thought and practice of our recent past. We don't know how to build anymore, and builders who are craftsmen or engineers who are passionate are rarely asked to use their whole skill or knowledge, and no one seems to ask them (or are educated in how to ask them) what alternatives and solutions there are to join two things together or make things stand up. We simply don't know. That is a problem.