minneapolis water works

This project has always tickled my interest.  I'm glad the my alma mater (Kate Orff of SCAPE with Rogers Marvel) will get to play a hand in the re-shaping, re-imagining, and re-definition of Minneapolis' historic, iconic waterway.

you can get the whole scoop via minneapolis parks foundation website.  great firms were chosen, super exciting!

surface tension @eyebeam

super excited about this one:

"The future of water is the subject of tension. Water is both disposable and sacred, a muse for artists and a necessity for life – a source of healing and of conflict. The Earth has abundant water, but only a very small proportion is available for human use. How should this be managed and sustained, and what would a water-scarce future look like?"

EXHIBITION HIGHLIGHTS

Among the many water-themed exhibits, events, workshops, and interactive experience, exhibition highlights include:

• An open source prototype for a robotic swarming, sailing ship that could clean up oil spills in the future
• Umbilical filters, artificial insemination kits and precocious puberty dolls, all responding to rising levels of chemicals and hormones in our drinking water
• A water pump that requires the same amount of energy to fill a plastic bottle as would go into producing it—approximately 3 hours of pumping per liter; 1,000 times more energy than would be required for tap water
• Water themed films screening in the Eyebeam Project Space

see you WEDNESDAY!

...into the underground

the images are edited from my midterm presentation.  my first, of the advanced studio sequences.  it started out the same as most.  pushing abnormal schedules, and working through the night to plot, model, and do the presentation mash-up.  oh what fun we have in 500S (gotta say, sick view of campus - overlooking the central square. nosy pigeons and water color sun sets [/rises]).

carving out terra firma for a pear shaped performance space, light and air.  the sequences leading up to 'hades chamber' (complete with three-headed guard dog) are meant to architecturally spatialize the story of orpheus entering the underworld in search of eurydice.  the procession is broken (for now) into four acts; the threshold into the underground; the grotto; the river of styx; hades chamber.  haunting reverberations of civic infrastructure and orchestral maneuvers in the dark echo as one approaches hades pear-shaped performance pit.

check it out... so this is all happening at the old trolley station at delancey and essex!  after receiving (surprisingly enthusiastic) feed-back the push begins to re-organize and re-visualize this project in sexy (but, informative) images and models, models, models. 

more clues coming later!

underground inspirations

here's some images i've been coming back to over the past few weeks... 
more being added to my pinterest board all the time - these are a simple snapshot

little bits of imagery.  what is space like underground?  it's weird not to think about facade and a dialogue between external and internal experiences: now the external experience is totally conceptual (and rooted in architectural drawings) - it's all about that internal procession.  section is super important - and i'm digging that.

cut, carve & dig on!

gms: grande palladium

nice bit forwarded to me and on to you.**

malik architecture out of india has just finished this fantastic project.
not sure about how it fits contextually, but it's still a terrific piece of energetic urbanism.
bold, expressive volumes fly out in axis, floating over the clay composition of the vernacular city.
expansive glass planes open onto the busy streets below.
too much metal for me though.... or maybe, because it's toned like a swordfish or something.

_subjective response concluded. objective report commencing;

the architects lift the building +8m (26.25 ft) above the ground plane to allow for free public spaces to address theoretical inconsistencies found in commercial buildings (locally), environmental cycles(monsoon season), public space (lacking), etc. etc.

re; monsoon season_ validating +8m lift:

"The suspended building volume negates the need for extraneous canopies, and the ubiquitous atrium has been replaced with functionally scaled lobbies, that use space efficiently and visually include the landscaped podium and allow the eye to roam unfettered to the grass berm beyond."

ok, i get it. nice gesture. liberating the ground plane... giving it back to the community... deconstructing planar volumes and refilling with light and air. floating above is a cloud of tessellated steel embraced by bent aluminum sheets. seems ominous, but actually works well.

the aluminum enclosure is playfully, punctured by pure glass geometries. the design is really driven by environmental concerns (solar) and structural expression. totally valid. but, the most poetically expressive element is the treatment of the water:

"Water has been expressed in two ways; a shallow water sheet explores the reflective and depth inducing properties of water, while adjacent to it, raked and textured stone surfaces generate rippling water surfaces; a gesture that not only explores its auditory properties, but also geometrically links it to the building structure."

mmm... water, senses, atmosphere. but, seriously corporate project, with a developer's description on dezeen.

** i realize my inconsistent opinion of this project. i wrote as i read, having read first the images. i guess we can chalk this up to a bit of gonzo journalism.

...with a little help from my friends

summer? what summer? it seems i'm not getting one this year. at least in the traditional academic sense of a summer ["break"]. long work days gave way to late work nights. lots of research, illustrator, photoshop, and tweaking rhino models [thanks to peter's processing power!]

following up on competition 1 of 4, here it comes...
straight from the pdf print shop.

#2.

another ideas competition meant our imaginations took the reins and ideas of celebration, unity, festival and broadcasting took over... holy rollers with joo-joo eyeballs. an information pavilion, yes, but also a advertisement to the city at large. kite power. water collection. bringing people together under one roof.

through muddy waters we mojo filtered... this is,
come together, right now [c]over me.

The Olympic Games unify the world in the spirit of healthy competition; inspired by this founding principle, "Come Together..." abstracts the symbolism of the interlocking rings, forming five bands which twist and merge into a unified composition. As a formal gesture the pavilion serves as a funnel, inviting spectators from the city into the charged interior; the reception desk, souvenir shop, and administrative facilities are housed under a twisting canopy, while the cafe spills out to engage the steps of the National Gallery- a place familiar to sitting and collecting.

The exterior of each band is populated with the flags of participating countries, forming a skin which reinforces the idea of cooperation and international competition. The interior is clad with printed and electronic display panels which aggregate on the underside of the cantilevered canopy, creating a large screen for live event display, replay, news, and interviews. The pavilion effectively communicates Olympic activities at the local scale and acts as a kinetic signifier at the urban scale, broadcasting the winner of each event to the city at large through the deployment of embroidered kites whose elevation is indicative of that countries respective ranking.

"Come Together..." employs sustainable design techniques in all aspects of the proposal; the structure is made of reclaimed aluminum, while the flags and kites are woven with a nylon/polyester blend made from recycled PET plastic bottles. Rainwater is channeled from the canopy down the walls and deposited into a water tank underneath the walking platform. Our renewable resource strategy capitalizes on the opportunities presented by this unique locale- the UK, situated in the high speed jet stream, is the eighth largest producer of wind power worldwide; in response, the pavilion is conceived as an energy-generating kite farm which holistically integrates concept and function while broadcasting to the city, celebrating the accomplishments of an international athletic competition.

"dualities in repose"

We're off an running for a crazy summer of competitions/collaborations. Here's the first in a 'quadfecta' of work that will [hopefully] get pushed out this summer - with some stellar results. First on the docket, I have joined Corey Gaffer of Gaffer Photography [and amateur landscape design] in a collaborative effort to create an imaginative design for SLANT.eu, an international competition on Landscape Architecture. This is our submission to the competition:

"Sitting on the bend of a river, a plot of land

lies vacant. Overgrown and derelict, the possibility for

regeneration is palpable as an engine for change and

growth. As the river cuts, a park will connect. Industry

and culture coalesce, through creativity, innovation and

active participation sprouting a green economy and

joining communities with healthy local food and access

to art while improving the ecological health of the river.

The park softens hard edges created by urban residences to the west, large cultural complexes to the east and the river embracing the site perimeter. The resultant softening creates a multitude of new relationships and accessibility with the waterfront. Physical access to the river, access to education and information regarding river ecology and access to jobs through community gardening reengage residents with water as a resource in a full range of social and recreational activities.

Strategic planting restores and refreshes the soil on site and filters runoff before entering the river maintaining and improving the health of the river as an amenity. Embedded within the comprehensive bioremediation strategy, implied program hugs the water’s edge. Soft delineations are marked through unique relationships to the riverfront; community garden, beachhead, and art island. The passive characteristic of the river reemerges in an active dialogue with the park user.

Conceptually, the park draws from the diverse strengths and unique potentials in the surrounding context to activate new public space: a confluence of culture, economic innovation and individual repose. Strategic design emphasizes the relationships between greater natural, social, civic, and economic ecologies: where dualities exist they are reinterpreted as strengths and harnessed to emphasize the unique characteristics of the site’s surrounding context.

The north end of the park extends the museum’s impact through the introduction of an outdoor sculpture park. Set among waving grass a prairie is peppered with sculptures to be discovered, viewed, engaged, and reflected upon. To further heightening views, an island creates a new platform for viewing one’s surroundings from a vantage point encircled by a wetland marsh. The sculptures occupy an ecotone from prairie to marshland: an extended threshold. Here birds, frogs, lizards and snakes call home.

The south end contrasts the individual intellectual experience with a community based garden and market. The transition is dappled with trees opening to terraced modules creating a tapestry of gardens and ponds aiding the cultivation of local food sources. Physically engaging with earth reconnects residents to natural processes and cycles of growth strengthening community and improving health for residents across the river. Through this haptic engagement, the community gardens create a new micro-economy for residents by growing and selling healthy, local foods.

Linking both ends,a primary path wends through the site amplifying the gesture of the linear park. A thick forest hugs the path offering a visual and acoustic buffer from the urban fabric. The path creates new connections and opportunities to experience the neighborhood along and down to the waterfront as one navigates the dualities of culture and industry. The result is a park where dualities converge in an area of tranquility to experience, appreciate, reconsider, enjoy and grow.

appeal [for] the real

i didn't know what to expect sitting down in woord auditorium to hear a lecture titled; appeal of the real. my interest was peaked - i guess - by the fact that i have a few freinds getting their degrees at MIT and since speaker sheila kennedy is a faculty member there i'd try and make some connections between our two institutions.

she says the title of the lecture is a little mis-leading, but i think it works - she shows projects that take very theoretical concepts and [attempts to] makes them concrete. maybe the title should have read; appeal for the real. the projects she chose to show dealt mostly with the fine line between prototyping and production and "explores architecture, digital technology and emerging public needs."

her firm, KVA; MATx boasts a large r&d department - which is a little unorthodox for a mid-sized firm - generally. it works though, MATx is producing some truly incredible and liberating design concepts; the interactive wall @ PENN's SOE, the east river ferry project, their ocean [in]sight competition entry, the portable light initiative, and their soft house competition win -for example.

a few highlights were;

the portable light initiative. it seeks to replace the fire as a source of illumination is rural and developing areas. the technology utilizes flexible pv panels in a modular, flat packed assemby that soaks up the sun during the day and gives a family light at night. new versions now incoroprate usb plug-ins for recharging phones. now the idea is being adapted all over the world from applications in handbags, to hospitals blankets.

yeosu; living ocean comp. the marcus prize group - silofill will like this one. the repurpose a set of silos in korea with emphasis on advancing knowledge and technology concerning the oceans and coasts. it's a really bold proposal. the inhabitable space is surrounded up ocean water that is pumped up via pv and creates a visually stunning effect. it also reflects the local vernacular of rooftop water towers prevelant in the area. it's called ocean[in]sight

lastly. they've recently won the iba hamburg competition with their proposal; soft house. it's pretty incredible infrastructure for local energy generation. cleaver and seductive in the design - it uses pv embedded curtains to generate power as well as a LED display to simulate the wind [similar to the PENN project].

happy hunting.

A4001: CORE I studio: assignment ii_ backpack purification

A4001: CORE 1

our second studio assignment deals with the scale of the body, water, air, edges and boundaries.

WHO estimates the number of people without access to clean drinking water at 1.3 billion. everywhere from the deserts of africa, to the himalayan mountains.

CHARGE: the backpack is a water purification system able to supply purified water from most non-saline water sources. water can be drawn from ponds, rivers, lakes or standing water that may contain chemical and biological contamination.

THESIS: a central task of architecture is to create enclosure, separating a within form an outside. the relationship between outside and within is evident through the use of section: a 2D tool, invented about 500 years ago to give determinacy to the relationship between inside, outside and also the tectonic transition of the two. one of the central tasks of this tectonic articulation is to keep the weather out: water and air. Water is especially tricky to keep out since it is in constant search for it gravity bound horizontality.

LOCATION: bhulbhule, lamjung province, nepal.

REFLECTION: the incredible potential in the sun's rays is amplified through a dramatic shift in elevation [mountains]. bhulbhule provided a unique case study: isolated [broken transportation networks], lacking of basic needs, natural hazards [water table pollution], difficult topography [extreme cyclical weather patterns], a culture of carrying [sherpas]. these conditions mean that many are left with running water 1 in 4 days, susceptible to 16 hour power cuts. regular and recurring transportation strikes leave people stranded on the road, lacking food, without clean drinking water.

so, if you're stranded in the mountains, on the muddy roads, or caught in a himalayan monsoon, fill up your pack and let the sun help you purify while you sojourn... or your nomadic migration.

EDITORIAL NOTE: after all that... i realize my section is missing [stated in my thesis]. well, missing from this post [it's not worth sharing yet - YIKES]. should give me something to work on for a bit. keep you posted.

san ysidro land port of entry: miller + hull

in this day and age of massive and spectacular digital output it's great to see a firm sticking to their artistic integrity.

i've been checking in with miller + hull since i started studio. a professor introduced me to their work and after seeing the correlation between his [professor] work and their [miller + hull] work i'm beginning to see some of the influence has made it's way into my hand... through a different process, but with the same aesthetics. all i can say is, woohoo.

however, i am enamored with their watercolors in addition to their works of design!

the images are from a new project for the san ysidro united status land port of entry. it will be constructed in three phases and are on target to achieve LEED platinum certification thanks to energy efficiency, water conservation strategies, and an integrated design process. more impressive is the fact that this project is the first to be open 24/7/365 to achieve this LEED status in the united states.

the site sees 20% of the border crossing traffic into the united states. 34 lanes of traffic! the complex is both a welcoming center, first impression of the country, and critical facilities for national security. craig curtis - partner at miller + hull - "this project will set a new standard for land ports of entry, not only for surpassing general service administration's sustainability goals but for enhanced processing of visitors and increased security measures." who knows, maybe border crossing could actually be an enjoyable and memorable experience - for the right reasons.

construction starts next year.... four masts rising 100 feet support a 275 foot canopy made of ethylene tetraflouroethylene - the same material that clads the national aquatics center from the 2008 beijing olympics. this means; rain and sun protection but also allows natural light to pass into the officer's booths.

thanks to a 700,000 gallon rainwater reclamation system the site will cut water consumption by over 12 million gallons annually = 100 households.... nice work out in the desert.

outlines of the future phases and more in depth information on the sustainable features can be found aqui.

experiential journey

frustration

after reading this article i was expecting to see BP's stock plummet. to my amazement it's only dropped about $1. wtf?! why would anyone still be on board with this tycoon of corner cutting?

since 2007 BP has been trying to revamp their image. casting themselves as exemplars of safety. but, as this nytimes has reported in a pointed article, this has clearly not been the case after a series of catastrophes and blatantly ignoring warning signs. the company is destroying the natural ecologies of north america; an explosion in texas, shoddy construction on a mega-platform in the gulf, spills in alaska, and the most notorious - the deep water horizon explosion in the gulf last april.

and after all this, our government is still allowing BP to run headlong into more risky operations, jumping through loopholes and ravaging our natural ecologies. responsibility has been shifted all around for the last 3 months, and we still don't have a solution. oil is still gushing into gulf waters. the monster is still loose. i can't believe it.

for an abbreviated overview check out the time line. it frustrates me to no end. BP has the capability, capital and resources to do things right, yet they're hypnotized by the all mighty bottom line. where are the values?!

we need to curb our addiction. if these events don't offer us the opportunity to seriously reconsider our energy options and shift to more sustainable, alternative forms i fear loosing hope.

living building challenge

i cruise archdaily as i sit in my living room enjoying the festive atmosphere. the smells and sounds of family gathered for the holidays.

completely unrelated, i've been participating in a project through our university [uwm] and the urban ecology center - a local organization that seeks to instill the values of respecting mother earth to urban communities in milwaukee. they're experimenting with a the idea of a satellite branch and i've been heading up a design team - partnered with the other design school [miad] in milwaukee.

the goal was to collaborate and synthesize a new design for our client on the edge of the glacial valley. we aimed to meet the "living building" challenge. this desire pushes pragmatic and fiduciary design into realms not yet achieved. we are operating in a dense urban environment. our design was to be three stories. more later....



this project caught my eye. it's a new facility for manitoba hydro by kpmb architects. below is a quote explaining the project. i couldn't help but marvel at the diagrams and the similarities in design intent [though with a much larger budget]



"manitoba hydro is the major energy utility in the province of manitoba, the fourth largest energy utility in canada and offers some of the lowest electricity rates in the world. owned by the provincial government, nearly all of its electricity comes from self-renewing water power. Its new headquarters tower, manitoba hydro place, is the first of the next generation of sustainable buildings integrating time-tested environmental concepts in conjunction with advanced technologies to achieve a “living building” that dynamically responds to the local climate... manitoba hydro place sets a precedent for the seamless integration of architectural excellence and climate responsive, energy efficient and sustainable design while enhancing and improving the quality and comfort of the human experience and the civility of urban life."



check the link for more info...

meltwater

this post is long over due, but i'd been helping construct uwm's first entry into the solar decathlon. this is building competition that 'joins 20 college and university teams in a competition to design, build, and operate the most attractive and energy-efficient solar-powered house.'


© stefano paltera

the project is the culmination of two years of design and execution. i jumped in during the last 6 months of the project as a builder. not really having much formal training in carpentry, i learned on the job, fast. we all did. the house was showcased in dc from october 9 - 18, 2009.



the project - meltwater - uses nature as a model. much of the region around milwaukee has been shaped by glacial forces. the earth's shaping strength is articulated in the butterfly roof and along the south facade. the design was stimulated by a desire to harness the limitless power of solar energy and our finite fresh water resources.



the rain screen ungulates over the surface, giving depth and allowing shadows to paint its surface. 'the topographical facade sweeps across the front of the building reminding the building and its maker where we come from, and our indelible ties to our region.' we worked closely with the aldo leopold center, many of the materials used in the house were sustainably harvested from the foundation's grounds - including the rain screen.



the form and potential of the home takes on the strength characterized by the natural process that reworked our regional landscape.

we constructed in multiple locations around milwaukee, including our newly renovated kenilworth building - with historical ties to milwaukee's long tradition to industrial processes - and the courtyard of the school of architecture and urban planing. we had eight days to reconstruct the house on the mall - the heart of washington dc. we were in the early morning shadow of the us congress and the evening shadow of the washington monument.



there, we ran into some snags and our competition scores reflect. it began after we were re-routed around indiana and later getting into washington dc. the deliveries put us two days tardy... growing pains. it's all a learning process.

zumthor and the val baths

...video

what a Man. and what an Architect: cigar in one hand, stylish lead holder in the other.

a phenomenologist, speaking of a particular place, with particular materials, but with insight into what could be discerned as contemporary viewpoints, such as "all parts as a whole" and always experiencing the "imprint of the architect", "never escaping the presense of the architect." and those ideas which belong to both, perhaps: architecture of the 5 senses, architecture as instrument, materiality and comprehensive design.

oh, pete.